WORKS CITED

Aarseth, Espen. Cybertext: Perspectives on Ergodic Literature. Baltimore, MD: Johns Hopkins UP, 1997. Print.

Assassin’s Creed IV: Black Flag. Montreal: Ubisoft, 2013. Xbox 360.

Aubrey, John. “An Essay Towards the Description of the North Division of Wiltshire.” Wiltshire: The Topographical Collections of John Aubrey. Ed. John Edward Jackson. Devizes: The Wiltshire Archaeological and Natural History Society, 1862. Print.

Barnes, Annette, and Jonathan Barnes. “Time Out of Joint: Some Reflections on Anachronism.” Journal of Aesthetics and Art Criticism 47.3 (1989): 253-61. Print.

Barry, Boubacar. Senegambia and the Atlantic Slave Trade. Cambridge: Cambridge UP, 1998. Print.

Beasley, Berrin, and Tracy Collins Standley. “Shirts vs. Skins: Clothing as an Indicator of Gender Role Stereotyping in Video Games.” Communication and Society 5 (2002): 279-93. Print.

Bialuschewski, Arne. “Black People under the Black Flag: Piracy and the Slave Trade on the West Coast of Africa, 1718–1723.” Slavery & Abolition: A Journal of Slave and Post-Slave Studies 29.4 (2008): 461-75. Print.

—. “Daniel Defoe, Nathaniel Mist, and the General History of the Pyrates.” Papers of the Bibliographical Society of America 98 (2004): 21-38. Print.

Bogost, Ian. Unit Operations: An Approach to Videogame Criticism. Cambridge, MA: MIT Press, 2006. Print.

Bolster, W. Jeffrey. Black Jacks: African American Seamen in the Age of Sail. Cambridge, MA: Harvard UP, 1997. Print.

Bond, Richard. E. “Piratical Americans: Representations of Piracy and Authority in Mid-Twentieth-Century Swashbucklers.” The Journal of American Culture 33.4 (2010): 309-21. Print.

Cassell, Justine, and Henry Jenkins, From Barbie to Mortal Kombat: Gender and Computer Games. Cambridge, MA: The MIT Press, 2000. Print.

Daston, Lorraine J. “The Factual Sensibility.” Isis 79.3 (1988): 452-67. Print.

“Did anybody else find James Kidd to be attractive? [SPOILER, SEQUENCE 5].” Reddit. Web. 15 Jul. 2015.

Dow, Douglas N. “Historical Veneers: Anachronism, Simulation, and Art History in Assassin’s Creed II.” Playing With the Past: Digital Games and the Simulation of History. Ed. Matthew Wilhelm Kapell and Andrew B. R. Elliot. London: Bloomsbury, 2013. 215-32. Print.

Dugaw, Diane. Warrior Women and Popular Balladry, 1650-1850. Chicago: U of Chicago P, 1996. Print.

Eastman, Carolyn. “Shivering Timbers: Sexing Up the Pirates in Early Modern Print Culture.” Common-Place 10.1 (2009). Web. 15 Jul. 2015.

Elliot, Andrew B.R., and Matthew Wilhelm Kapell. “Introduction: To Build a Past that Will ‘Stand the Test of Time’: Discovering Historical Facts, Assembling Historical Narratives.” Playing With the Past: Digital Games and the Simulation of History. Ed. Matthew Wilhelm Kapell and Andrew Elliot. London: Bloomsbury Academic, 2013. 1-30. Print.

Entertainment Software Association (ESA). Essential Facts about the Computer and Video Game Industry. Washington, DC: ESA, April 2014. Web. 5 Jan. 2014.

Ferreira, Roquinaldo. “Slaving and Resistance to Slaving in West Central Africa.” The Cambridge World History of Slavery. Ed. David Eltis and Stanley L. Engerman. Vol. 3. New York: Cambridge UP, 2011. 111-31. Print.

Furbank, P.N., and W. R. Owens. The Canonisation of Daniel Defoe. New Haven: Yale UP, 1988. Print.

Gaver, W. W., et al., “The Drift Table: Designing for Ludic Engagement.” Proc. CHI EA ’04. ACM Press (2004): 885-900. Print.

Huizinga, Johan. Homo ludens. New York: Beacon, 1971. Print.

Hunter, J. Paul. Before Novels: The Cultural Contexts of Eighteenth-Century English Fiction. New York: W. W. Norton, 1990. Print.

Jenkins, Henry. “Game Design as Narrative Architecture.” First Person: New Media as Story, Performance, and Game. Ed. Noah Wardrip-Fruin and Pat Harrigan. Cambridge, MA: MIT Press, 2003. 118-30. Print.

Johnson, Charles. A General History of the Pyrates, 2nd ed. London: 1724. Eighteenth Century Collections Online. Web. 5 Jan. 2015.

Jones, Steven E. The Meaning of Video Games: Gaming and Textual Strategies. New York: Routledge, 2008. Print.

Juul, Jesper. “The Definitive History of Games and Stories, Ludology and Narratology.” The Ludologist, 22 February 2004. Web. 20 Oct. 2015.

Kain, Erik. “Watch the Terrible 4th of July ‘Assassin’s Creed III’ Live-Action Trailer.’” Forbes, 7 Apr. 2012. Web. 6 Feb. 2015.

Konstam, Angus. Pirates: The Complete History from 1300 BC to the Present Day. Guilford, CT: Lyons Press, 2011. Print.

Lear, Anna. “What’s the point of buying art?” Arqade. StackExchange, 30 Oct. 2013. Web. 1 Aug. 2015.

Lichfield, John. “French left loses its head over Robespierre game,” The Independent, 17 Nov. 2014. Web. 6 Mar. 2015.

Linebaugh, Peter and Marcus Rediker. The Many Headed Hydra: Sailors, Slaves, Commoners, and the Hidden History of the Revolutionary Atlantic. Boston: Beacon Press Books, 2000. Print.

Lupton, Christina, and Peter McDonald. “Reflexivity as Entertainment: Early Novels and Recent Video Games.” Mosaic 43.4 (2010): 157-73. Print.

McKeon, Michael. “Generic Transformation and Social Change: Rethinking the Rise of the Novel.” Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: The Johns Hopkins UP, 2000. 382-99. Print.

McLuhan, Marshall. Understanding Media: The Extensions of Man. Cambridge, MA: The MIT Press, 1964. Print.

Miller, Monica K., and Alicia Summers. “Gender Differences in Video Game Characters’ Roles, Appearances, and Attire as Portrayed in Video Game Magazines.” Sex Roles 57 (2007): 733-42. Print.

Miller, Peter N. Peiresc’s Europe: Learning and Virtue in the Seventeenth Century. New Haven: Yale UP, 2000. Print.

O’Driscoll, Sally. “The Pirate’s Breasts: Criminal Women and the Meanings of the Body.” The Eighteenth Century 53.3 (2012): 357-79. Print.

Partridge, Stephanie. “The Incorrigible Social Meaning of Video Game Imagery.” Ethics & Information Technology 13.4 (2011): 303-12. Print.

Rediker, Marcus. The Slave Ship: A Human History. New York: Penguin Books, 2007. Print.

—. Villains of All Nations: Atlantic Pirates in the Golden Age. Boston: Beacon Press, 2004. Print.

Shaw, Adrienne. “What is Video Game Culture? Cultural Studies and Game Studies.” Games and Culture 5 (2010): 403-24. Print.

Suellentrop, Chris. “Slavery as New Focus for a Game.” The New York Times, 27 Jan. 2014. Print.

Swann, Marjorie. Curiosities and Texts: The Culture of Collecting in Early Modern England, Philadelphia: U of Pennsylvania P, 2001. Print.

Sweet, Rosemary. Antiquaries: The Discovery of the Past in Eighteenth-Century Britain. London: Hambledon, 2004. Print.

Terlecki, Melissa, et al. “Sex Differences and Similarities in Video Game Experience, Preferences, and Self-Efficacy: Implications for the Gaming Industry.” Current Psychology 20.1 (2011): 22-33. Print.

Vine, Angus. In Defiance of Time: Antiquarian Writing in Early Modern England. Oxford: Oxford UP, 2010. Print.

Ubisoft. “Ubisoft FY14 Earnings Presentation,” 15 May 2014. Web. 16 Jan 2015.

Warner, William. Licensing Entertainment: The Elevation of Novel Reading in Britain, 1684-1750. Los Angeles: U of California P, 1998. Print.

“Where does the art show up?” Assassin’s Creed IV: Black Flag. GameFAQs, 2013. Web. 1 Aug. 2015.

Woodard, Colin. The Republic of Pirates: Being the True and Surprising Story of the Caribbean Pirates and the Man Who Brought Them Down. Orlando: Harcourt, 2007. Print.